Venice is a metropolis that runs on historical and unwritten guidelines, together with the one which gondolas are made and steered by males. However two younger girls are difficult that custom. After their father died in 2018, sisters Elena and Elisabetta Tramontin inherited his workshop making the flat-bottomed boats that navigate the town’s famed canals, and the ladies are decided to maintain the household enterprise going. In an unique interview, they inform us their story and convey us nearer to a Venetian custom as outdated as time.
Meet Elena and Elisabetta Tramontin
GLH: Hi there Elena. Hi there Elisabetta. Thanks for taking the time to reply a couple of of our questions. For individuals who might not be conversant in your work but, might you shortly introduce yourselves?
Elena Tramontin: We’re two sisters and we’re the fifth technology of the Tramontin household. On the Squero Tramontin, we restore gondolas. We’re passionate and motivated in every part we do and think about ourselves lucky to have inherited such an unimaginable legacy.
GLH: Are you able to inform us extra about your loved ones’s historical past and your personal journey that in the end led you to this career?
Elena Tramontin: Our great-great-grandfather, Domenico, based the Squero on the 2nd of February 1884.
He was the one who made the final modification to the gondola, making it extra asymmetrical. Then, to hold on with the legacy and the custom, there have been Giovanni, Nedis, and our father Roberto.
The Squero has at all times been a household place, and though we’ve got by no means labored facet by facet with our father, it has at all times been a spot the place we hung out. And so, to proceed with the household custom was a pure alternative as a result of doing in any other case would have been like selecting to not dwell in the home we grew up in.
At present, I get to work along with my sister, and we’re the primary girls to do that job.
GLH: And also you determined to take over the household enterprise, following within the footsteps of your father?
Elena Tramontin: We by no means labored with our father, and when he handed away we didn’t need the enterprise to die with him. So, we took over the corporate. We needed to maintain this Venetian custom alive, and to hold on this a part of the town’s tradition. When our father handed away, it was very exhausting for us as a result of this was by no means only a job. It went far and past only a career. It was his ardour for him, so we needed to maintain it going.
GLH: Because you by no means labored along with your father, how did you be taught the commerce?
Elena Tramontin: We’ve been studying on the go. For now, we’re solely doing repairs and making an attempt to know as a lot of the work as potential. Clearly, our final aim is to construct a full gondola quickly. We don’t know but when that is likely to be potential, however that’s what we’re working in the direction of.
We discovered our father’s pocket book with all his secrets and techniques, and we’re pushed to maintain the legacy alive, and to make our household proud. It’s not simple, however we at all times thought that if it’s not simple, then it’s simply not enjoyable!
GLH: And what had been you doing earlier than this?
Elena Tramontin: I was a photographer and I had a retailer in Venice the place I’d reuse the elements of gondolas to make jewellery, and such… My sister went to artwork faculty.
At present, with my sister, we restore gondolas to maintain the household enterprise alive. Elisabetta is in command of scheduling the issues we’ve got to do as a result of she is aware of extra in regards to the enterprise and she or he is aware of easy methods to work on the boat. She can be extra apt on the bodily labour and strategies. I’m extra in command of public relations; I organise the visits to indicate the true lifetime of the artisans of Venice.
GLH: And the way many individuals do that job in Venice?
Elena Tramontin: There are just a few squero in Venice, about 4, however it’s not a contest. The squero is extra a Venetian custom, and there aren’t any different squeros on the earth. In Venice there are about 5,000 gondolas, roughly.
There have been about 10,000 a couple of years in the past as a result of again then, gondolas had been used throughout the town, for all kinds of jobs and transportation.
GLH: It’s mentioned that the harmonious form of your gondolas might be in comparison with Ferraris, how do you are feeling about such a comparability?
Elena Tramontin: To make a gondola, we use 8 several types of wooden. Every wooden has its personal traits, reacts in a different way and is used in a different way.
For instance, the entrance of the gondola is manufactured from mahogany as a result of it’s resistant. Then we work with walnut as a result of it’s versatile, and it’s simpler for us to form it into the shape that we wish. Then the elements that don’t transfer are manufactured from cherry wooden and the underwater elements are manufactured from oak. The top half is manufactured from melese or fir.
My sister and I each work the squero, and we work on the gondolas with our personal fingers. There may be an unbiased craftsman who makes the forcola and the oar, then there are different craftsmen who make the decorations, the clothes of the gondola, the gold that’s placed on it and so forth. After which there are additionally those that work the iron on the entrance of the gongola. It’s actually a staff effort!
We will work on one or two gondolas at a time per thirty days, and the repairs can take as much as three weeks.
GLH: And the way do you are feeling about passing this craft onto the long run generations ?
Elena Tramontin: We hope to proceed doing what we do, to advertise and be pleased with it, however for us it’s pure. It’s our household historical past and it’s greater than only a job… It’s our residence!
For extra unique interviews, keep tuned!